Performer’s Analysis – part four

Unfortunatly, now comes some of the less interesting stuff to read without the score there to help you. Unless you're really preparing for this piece, this might not enlighten you that much. At least it does give a good idea what to expect to work on and what to expect to hear! Although, I'll manage…Read more Performer’s Analysis – part four

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Performer’s Analysis – part three

This third part contains something a bit more readable and interesting, namely the passages that I find technically demanding.  I have, to make this article more interesting, included a description of the problem, and a proposed solution for it (my own proposal). Would be nice to maybe later on include proposals from other (great) cellists…Read more Performer’s Analysis – part three

Performer’s Analysis – general overview of notable aspects of the piece

This analysis will be in a number op segments. The piece is a massive challenge, just to perform but also to understand. I'll try to make this whole business as clear as possible. Hope to hear some reactions if it's too cryptic. The first part here is a sort of dynamic overview of the development…Read more Performer’s Analysis – general overview of notable aspects of the piece